Francis Scott Key Fitzgerald (September
24, 1896 – December 21, 1940) was an American author of novels and short stories, whose works are evocative of the Jazz
Age, a term he coined himself. He is widely regarded as one of the twentieth century's greatest writers. Fitzgerald is considered
a member of the "Lost Generation" of the Twenties. He finished four novels, This Side of Paradise, The Beautiful
and Damned, Tender is the Night and his most famous, the celebrated classic, The Great Gatsby. A fifth, unfinished novel,
The Love of the Last Tycoon was published posthumously. Fitzgerald also wrote many short stories that treat themes of youth
and promise along with despair and age.
Born
in St. Paul, Minnesota, to an Irish upper-middle class Roman Catholic family, Fitzgerald was named after his famous second
cousin, twice removed, Francis Scott Key, but was referred to as "Scott". He was also named after his deceased sister
Louise Scott, one of two sisters who died shortly before his birth. He spent 1898–1901 in Syracuse and 1903–1908
in Buffalo, New York, where he attended Nardin Academy. When his father was fired at Procter & Gamble, the family returned
to Minnesota, where Fitzgerald attended St. Paul Academy in St. Paul from 1908–1911. His first literary effort, a detective
story, was published in a school newspaper when he was 12.
When he was 16, he was expelled from St. Paul Academy for neglecting his studies. He attended Newman School, a prep
school in Hackensack, New Jersey, in 1911–1912, and entered Princeton University in 1913 as a member of the Class of
1917. There he became friends with future critics and writers Edmund Wilson (Class of 1916) and John Peale Bishop (Class of
1917), and wrote for the Princeton Triangle Club. His absorption in the Triangle—a kind of musical-comedy society—led
to his submission of a novel to Charles Scribner's Sons where the editor praised the writing but ultimately rejected the book.
He was a member of the University Cottage Club, which still displays Fitzgerald's desk and writing materials in its library.
A poor student, Fitzgerald left Princeton to enlist in the US Army during World War I; however, the war ended shortly after
Fitzgerald's enlistment.
While at Camp Sheridan, Fitzgerald met Zelda (1900–1948), the "silver girl",
in Fitzgerald's words, of Montgomery, Alabama youth society. The two were engaged in 1919, and Fitzgerald moved into an apartment
at 1935 Lexington Avenue in New York City to try to lay a foundation for his life with Zelda. Working at an advertising firm
and writing short stories, he was unable to convince Zelda that he would be able to support her, leading her to break off
the engagement.
Scott returned to his parents' house at 599 Summit Avenue, on Cathedral Hill, in St. Paul,
to revise The Romantic Egoist. Recast as This Side of Paradise, about the post-WWI flapper generation, it was accepted by
Scribner's in the fall of 1919, and Zelda and Scott resumed their engagement. The novel was published on March 26, 1920, and
became one of the most popular books of the year. Scott and Zelda were married in New York's St. Patrick's Cathedral. Their
only child, Frances Scott "Scottie" Fitzgerald, was born on October 26, 1921
The 1920s proved the most influential decade of Fitzgerald's development. The Great Gatsby,
considered his masterpiece, was published in 1925. Fitzgerald made several excursions to Europe, notably Paris and the French
Riviera, and became friends with many members of the American expatriate community in Paris, notably Ernest Hemingway.
Fitzgerald’s friendship with Hemingway was quite vigorous, as many of Fitzgerald’s relationships would
prove to be. Hemingway did not get on well with Zelda. In addition to describing her as "insane" he claimed that
she “encouraged her husband to drink so as to distract Scott from his ‘real’ work on his novel," the
other work being the short stories he sold to magazines. This “whoring”, as Fitzgerald, and subsequently Hemingway,
called these sales, was a sore point in the authors’ friendship. Fitzgerald claimed that he would first write his stories
in an authentic manner but then put in “twists that made them into saleable magazine stories.”
Fitzgerald's marriage was mixed—both destructive and constructive. Fitzgerald drew largely upon his wife's
intense and flamboyant personality in his writings, at times quoting direct passages from her letters and personal diaries
in his work. Zelda made mention of this in a 1922 mock review in the New York Tribune, saying that "[i]t seems to me
that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage,
and also scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald—I
believe that is how he spells his name—seems to believe that plagiarism begins at home" (Zelda Fitzgerald: The
Collected Writings, 388).
But the impact of Zelda's personality on his work and life is often
overstated, as much of his earliest writings reflect the personality of a first love, Ginevra King. In fact, the character
of Daisy as much represents his inability to cultivate his relationship with King as it does the ever-present fact of Zelda.
(Although Gatsby's economic failure to immediately wed Daisy in 1917, with an eventual return in financial triumph, does closely
mirror Fitzgerald's own experiences with his future wife.)
Although Fitzgerald's passion lay in writing novels, only his first novel sold well enough to support the opulent
lifestyle that he and Zelda adopted as New York celebrities. As did most professional authors at the time, Fitzgerald supplemented
his income by writing short stories for such magazines as The Saturday Evening Post, Collier's Weekly, and Esquire, and sold
movie rights of his stories and novels to Hollywood studios. Many of these stories act as testing grounds for his novels.
For example, "Absolution" was intended as an earlier chapter in The Great Gatsby. Because of this lifestyle, as
well as the bills from Zelda's medical care when they came, Fitzgerald was constantly in financial trouble and often required
loans from his literary agent, Harold Ober, and his editor at Scribner's, Maxwell Perkins. When Ober decided not to continue
advancing Fitzgerald, the author severed ties with his longtime friend and agent. (Fitzgerald offered a good-hearted and apologetic
tribute to this support in the late short story "Financing Finnegan.")
Fitzgerald began working on his fourth novel during the late 1920s but was sidetracked by financial difficulties
that necessitated his writing commercial short stories, and by the schizophrenia that struck Zelda in 1930. Her emotional
health remained fragile for the rest of her life. In 1932, she was hospitalized in Baltimore, Maryland. Scott rented the "La
Paix" estate in the suburb of Towson, Maryland to work on his latest book, the story of the rise and fall of Dick Diver,
a promising young psychiatrist who falls in love with and marries Nicole Warren, one of his patients. The book went through
many versions, the first of which was to be a story of matricide. Some critics have seen the book as a thinly-veiled autobiographical
novel recounting Fitzgerald's problems with his wife, the corrosive effects of wealth and a decadent lifestyle, his own egoism
and self-confidence, and his continuing alcoholism. Indeed, Fitzgerald was extremely protective of his material (their life
together).
When Zelda wrote and sent to Scribner's
her own fictional version of their lives in Europe, Save Me the Waltz, Fitzgerald was angry and was able to make some changes
prior to the novel's publication, and convince her doctors to keep her from writing any more about what he called his "material,"
which included their relationship. His book was finally published in 1934 as Tender Is the Night. Critics who had waited nine
years for the followup to The Great Gatsby had mixed opinions about the novel. Most were thrown off by its three-part structure
and many felt that Fitzgerald had not lived up to their expectations.[citation needed] The novel did not sell well upon publication,
but like the earlier Gatsby, the book's reputation has since risen significantly.
Although he reportedly found movie work degrading, Fitzgerald was once again in dire financial straits, and spent
the second half of the 1930s in Hollywood, working on commercial short stories, scripts for Metro-Goldwyn-Mayer (including
some unfilmed work on Gone with the Wind), and his fifth and final novel, The Love of the Last Tycoon. Published posthumously
as The Last Tycoon, it was based on the life of film executive Irving Thalberg. Scott and Zelda became estranged; she continued
living in mental institutions on the East Coast, while he lived with his lover Sheilah Graham, a gossip columnist, in Hollywood.
From 1939 until his death, Fitzgerald mocked himself as a Hollywood hack through the character of Pat Hobby in a sequence
of 17 short stories, later collected as "The Pat Hobby Stories."
Fitzgerald had been an alcoholic since his college days, and became notorious during the 1920s for his extraordinarily
heavy drinking, leaving him in poor health by the late 1930s. According to Zelda's biographer, Nancy Milford, Scott claimed
that he had contracted tuberculosis, but Milford dismisses it as a pretext to cover his drinking problems. However, Fitzgerald
scholar Matthew J. Bruccoli contends that Fitzgerald did in fact have recurring tuberculosis, and Nancy Milford reports that
Fitzgerald biographer Arthur Mizener said that Scott suffered a mild attack of tuberculosis in 1919, and in 1929 he had "what
proved to be a tubercular hemorrhage". It has been said that the hemorrhage was caused by bleeding from esophageal varices.
Fitzgerald suffered two heart attacks in late 1940. After the
first, in Schwab's Drug Store, he was ordered by his doctor to avoid strenuous exertion. He moved in with Sheilah Graham,
who lived in Hollywood on North Hayworth Ave., one block west of Fitzgerald's apartment on North Laurel Ave. Fitzgerald had
two flights of stairs to get to his apartment; Graham's was a ground floor apartment. On the night of December 20, 1940, Fitzgerald
and Sheilah Graham attended the premiere of "This Thing Called Love" starring Melvyn Douglas and Rosalind Russell.
As the two were leaving the Pantages Theater, Fitzgerald experienced a dizzy spell and had trouble leaving the theater; upset,
he said to Ms. Graham, "They think I am drunk, don't they?".
he following day, as Scott ate a candy bar and made notes in his newly arrived Princeton Alumni Weekly, Ms. Graham
saw Scott jump from his armchair, grab the mantelpiece, gasp and fall to the floor. She ran to the manager of the building,
Harry Culver, founder of Culver City; upon entering the apartment and assisting Scott, he stated, "I'm afraid he's dead."
Fitzgerald died of a massive heart attack. His body was removed to the Pierce Brothers Mortuary.
Among the attendants at a visitation held at a funeral home was Dorothy Parker, who reportedly
cried and murmured "the poor son-of-a-bitch," a line from Jay Gatsby's funeral in Fitzgerald's The Great Gatsby.
The remains were shipped to Baltimore, Maryland, where his funeral was attended by twenty or thirty people in Bethesda; among
the attendants were his only child, Frances "Scottie" Fitzgerald Lanahan Smith, and his editor, Maxwell Perkins.
Fitzgerald was originally buried in Rockville Union Cemetery. Zelda died in 1948, in a fire at the Highland Mental Hospital
in Asheville, North Carolina. Ms. Frances Lanahan worked to overturn the Archdiocese of Baltimore ruling that Fitzgerald died
a non practicing Catholic, so that he could be at rest at the Roman Catholic cemetery where his father's family was laid.
Both Scott's and Zelda's remains were moved to the family plot in Saint Mary's Cemetery, in Rockville, Maryland in 1975.
Fitzgerald died before he could complete
The Love of the Last Tycoon. His manuscript, which included extensive notes for the unwritten part of the novel's story, was
edited by his friend, the literary critic Edmund Wilson, and published in 1941 as The Last Tycoon. In 1994 the book was reissued
under the original title The Love of the Last Tycoon, which is now agreed to have been Fitzgerald's preferred title.
Fitzgerald's work and legend has inspired writers ever since
he was first published. The publication of The Great Gatsby prompted T. S. Eliot to write, in a letter to Fitzgerald, "[I]t
seems to me to be the first step that American fiction has taken since Henry James...". Don Birnam, the protagonist of
Steph and Charles Jackson's The Lost Weekend, says to himself, referring to Gatsby, "There's no such thing...as a flawless
novel. But if there is, this is it."
In
letters written in the 1940s, J. D. Salinger expressed admiration of Fitzgerald's work, and his biographer Ian Hamilton wrote
that Salinger even saw himself for some time as "Fitzgerald's successor."
Richard
Yates, a writer often compared to Fitzgerald, called The Great Gatsby "the most nourishing novel [he] read...a miracle
of talent...a triumph of technique." It was written in a New York Times editorial after his death that Fitzgerald "was
better than he knew, for in fact and in the literary sense he invented a generation. [... H]e might have interpreted them
and even guided them, as in their middle years they saw a different and nobler freedom threatened with destruction."
Into the 21st century, millions of copies of "The Great Gatsby" and his other works have been sold, and
"Gatsby," a constant best-seller, is required reading in many high school and college classes.
Fitzgerald
is a 2009 inductee of the New Jersey Hall of Fame. Fitzgerald was the first cousin once removed of Mary Surratt, hanged in
1865 for conspiring to assassinate Abraham Lincoln.[15] Fitzgerald's great-granddaughter Blake Hazard is a musician.[16]
Novels
·
This Side of Paradise (New York: Charles Scribner's Sons, 1920)
· The Beautiful
and Damned (New York: Scribner, 1922)
· The Great Gatsby (New York: Scribner,
1925)
·
Tender Is the Night (New York: Scribner, 1934)
· The Last Tycoon –
originally The Love of the Last Tycoon – (New York: Scribners, published posthumously, 1942)
[edit] Other works
Short Story Collections
·
Flappers and Philosophers (Short Story Collection, 1920)
· Tales of
the Jazz Age (Short Story Collection, 1922)
· All the Sad Young Men
(Short Story Collection, 1926)
·
Taps at Reveille (Short Story Collection, 1935)
· Babylon Revisited and
Other Stories (Short Story Collection, 1960)
· The Pat Hobby Stories
(Short Story Collection, 1962)
·
The Basil and Josephine Stories (Short Story Collection, 1973)
· The Short
Stories of F. Scott Fitzgerald (Short Story Collection, 1989)
Short Stories
· Bernice Bobs Her Hair
(Short Story, 1920)
·
Head and Shoulders (Short Story, 1920)
· The Ice Palace (Short
Story, 1920)
·
May Day (Novelette, 1920)
· The Offshore Pirate (Short Story,
1920)
·
The Curious Case of Benjamin Button (Short Story, 1921)
· The Diamond
as Big as the Ritz (Novella, 1922)
· Winter Dreams (Short Story, 1922)
·
Dice, Brassknuckles & Guitar (Short Story, 1923)
· The Freshest
Boy (Short Story, 1928)
·
Magnetism (Short Story 1928)
· A New Leaf (Short Story, 1931)
·
Babylon Revisited (Short story, 1931)
· Crazy Sunday (Short
Story, 1932)
·
The Fiend (Short Story, 1935)
· The Bridal Party (Short Story)
·
The Baby Party (Short Story)
Other
·
The Vegetable, or From President to Postman (play, 1923)
· The Crack-Up
(essays, 1945)